Konstanze Rum's essay film revolves around another film: Alberto Griffith and Massimo Sachielli's "Anna" (1975 Berlin Forum). In the early 1970s, two Italian directors found Anna Azzolli, a homeless person in need of money and help, at the Navona Square in Rome. When they recorded her life, control over the process remained firmly in their hands. Starting from these materials, Gli appunti di Anna Azzori constructed several clusters of ideas, sometimes more interconnected and sometimes less interconnected: "Everything is far and near," we once heard. This theme raises a question about the status of women and their struggle in a world filled with discrimination at the time - which is still the case today. This movie uses interference noise, carefully crafted voiceovers, snowflake images, characters transformed into trees, rocks or stars (and then back), fairies in the river, and young women in casting. It also displays many archival materials, including images of Italian feminist demonstrations: protesters shouting "we are not afraid" at the time.